Yseult gives it a moment, waiting until Laura seems far enough along that the requests don't pile up at once. She's remained still and silent throughout, hands folded neatly in her lap, legs crossed at the knee, listening without visible reaction.
"We'll also need the location of Reis's house," she says now, "If you can explain it or point it out on a map." Her voice is perhaps not as gentle as Eshal's, but the difference is more in formality than in tone, a certain subtle distance maintained. "And there's a man who sometimes sketches portraits for us of suspected agents. Do you remember the faces of Reis's clients well enough to work with him to create their likenesses?"
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"We'll also need the location of Reis's house," she says now, "If you can explain it or point it out on a map." Her voice is perhaps not as gentle as Eshal's, but the difference is more in formality than in tone, a certain subtle distance maintained. "And there's a man who sometimes sketches portraits for us of suspected agents. Do you remember the faces of Reis's clients well enough to work with him to create their likenesses?"